How To Conduct A Masterful Story
I had a lot of fun writing this post. It was a bit of an “aha” moment for me to think of music structure and story structure as being similar.
Originally posted on Austin Mystery Writers.
You know how some songs are more appealing than others? They just seem to have that “something” that people like. I think the same thing is true for books. Obviously a book should have good writing, unlike some blockbusters. But I won’t be tacky and mention anything about supernatural animals or domineering billionaires. Nope, I won’t stoop that low. My inner goddess says it’s not polite.
I’ve recently tried my hand at writing music, so I’ve been studying the structure of songs. The way the verses and chorus are laid out are comparable to poetry. Then one day I noticed that the music itself is similar to story structure. Even different types of songs can compare to different genres. (All links provided are from “official” Youtube channels or websites.)
Typically most pop, rock, or standard music that we listen to follows a pattern:
Intro, Verse 1, Verse 2, Chorus, Verse 3 [Usually a variation of the tune], (Maybe Verse 4) Chorus [Maybe with a variation to change it up a bit.]
For instance, here’s Real Gone by Sheryl Crow
I love that song! The intro does exactly what it’s supposed to do. It sets the tone for the piece. The variations on the theme and the constant fast beat keep it from getting boring.
I think it’s like a lot of popular books out there. It’s got a good beat and the tempo doesn’t let up for the whole story. I think of thrillers that have constant action. A variation on theme helps to keep things interesting. Maybe like James Bond and his extra curricular activities? He’s still James Bond, just a variation on the spy theme.
Is your song funny, fast-paced? Do crazy things happen throughout? Sounds like it might be a jazz piece. This style works great with crazy chords and countermelodies. Melodies are deconstructed but always return to the melody. So remember, don’t be distracted by tangents, always return to the melody, but keep it fun.
Here’s a perfect example of some swingy jazz.
Morris Nelms- Love To Swing.
But what about other songs, like maybe orchestral pieces? How do composers keep them interesting? Do they follow a pattern too? Is it similar to a story arc or story structure?
Breath and Life by Audiomachine.
The intro sets the mood. The pulsing beat keeps it moving. The melody plays then repeats. (Verse 1 and Verse 2) Then after a short change, the music grows and they vary the tune. It grows and grows with intensity, volume, and moves higher. It finally reaches the ultimate point. Then it dies off. The structure is not so much an arc, more like a wedge that just grows then drops off. Personally, I prefer a story to grow to almost the very end.
And here’s the part that absolutely fascinates me. Notice that while the singers and the main melody have long notes, there are always the underlying beats that keep it moving? I like to call this microtension.. I believe I first heard the term from Donald Maas.http://absolutewrite.com/maas_fire_excerpt.html
Good writing, no matter what genre, has microtension to keep the story flowing. It’s what keeps your characters growing and interesting.
Here’s another song by Audiomachine called Equinox
While you listen to it, think about the pulsing under the long notes and feel how it grows. Now imagine your story or any story. Does it grow like this? Do your secondary characters highlight your antagonist and protagonist, like the chorus and instruments provide harmony? What is height of your story? I like the little tag at the end. It’s an echo of the theme. I think the best stories have a little scene at the end that sums up the journey, whatever it may have been. (I mean good grief! Don’t you want to read the story that fits this music?)
I can’t help myself. Here’s another called The Fire Within
And one last song. This isn’t as dramatic as the others. But I think it’s a perfect example of the relationship between a protagonist and an antagonist. The relationship of the two should mirror and echo each other. This is a relaxing song, like I said, not dramatic. But I love the echo of the piano and the harmony of the flute.
The Gift of Love by The O’Neill Brothers
So I’ll leave you with this. In the first words of your story, write an intro that gives your reader a taste of what’s to come. Set the melody. Support your story and characters with harmonies, and counter melodies. Don’t keep things the same. Grow by changing the key signature and keep the beat pulsing. Grow, grow, grow! Make it bigger! Give it a dramatic finale and end with a reflection, a bit of the original melody to remind the reader of the journey. Good luck. And if you have a favorite song that makes a perfect story, feel free to share with us in the comments! I’m always on the lookout for new music.
Posted in Writing and tagged Audiomachine, Austin Mystery Writers, Donald Maas, Morris Nelms, Sheryl Crow, The Piano Brothers by VP with 1 comment.
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