Cover Reveal!

 

 

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I’m proud to have had a small part in this book about writing. It is a collaboration between Writer’s Digest and writers in the Writer Unboxed community. Here is a portion from the introduction written by the indomitable Therese Walsh.

“The team at Writer Unboxed has provided a guiding light on that well-traveled road for more than a decade now, publishing more than 3,500 essays and interviews about the craft of writing and the writing life. It’s our pleasure to shine that same light for you here, and it’s our hope that you’ll join us on our website and our Facebook group whenever you need to be reminded that you do not walk the road alone. So often Writer Unboxed community members say they read exactly what they needed to read, exactly when they needed to read it, on our site. We hope you get that sense time and again as you read these pages.”

Available at Amazon, Barnes and Noble, and Indiebound. It has a soft-release date of November 1st, though many will receive pre-ordered books in mid-October. Consider, too,adding it to your ‘want to read’ shelf on Goodreads.


Posted in New Book, Writing and tagged , , , , , , , by with 2 comments.

Writer Unboxed Un-Conference and Un-Con Song

Salem house

Just got back from the Writer Unboxed Un-Con a couple of days ago and like many of my peers, I’m having a hard time adjusting to real life again. It was so great! What’s Writer Unboxed? I guess I’ll start at the beginning.

WU is a wonderful blog (www.writerunboxed.com) that’s all about the craft of writing fiction and providing moral support for fellow writers. I’ve been a member of the “family” for a few years now and I can say that it’s been invaluable.

This was the first conference and it was held in Salem, Massachusetts and what a wonderful time of year to be there! The leaves were gorgeous and it was right after Halloween so there was still a magical feeling in the air.

The days were packed with classes and workshops. I literally filled my notebook with notes. I wish I could tell you everything I learned and the insights I discovered, but that would take  pages and pages to do. So instead I’ll share some granules of wisdom and some links so you can delve further on your own.

My first class was Lisa Cron’s Wired for Story. I’m now a groupie. It was about how stories are the most powerful form of communication and our brains are literally wired for story because that’s how information has been passed down for generations. When someone says, “Let me tell you a story…” your brain releases Dopamine and you’re ready to experience the story. A good story is more important than beautiful writing because you’ll get a better reader response. She compared it to a tricked out car with no engine. It’s pretty, but it won’t get you anywhere. And most importantly—story is internal, not external. It’s what happens to your characters. Lisa has a TED talk all about this. I highly recommend it. It’s almost more like learning philosophy and about writing.

Learned about Setting as Character taught by Brunonia Barry and Liz Michalski. Both are from the area so not only was it a good class about describing your setting, they offered some new insights into the area. Most of it was a writing exercise and some of us shared what we wrote.

Velveteen Characters taught by Therese Walsh. Therese is a founder of WU and organized the conference so she is a powerhouse, to say the least. Basically she said that all of your characters are important, even the secondary ones. You should try to give each one a quirk or flaw, it makes them more real and will enhance the story. She suggested for a writing prompt to make 5 assumptions about a character and flip them. See what happens!

Plot vs  and Story taught by Lisa Cron, Brunonia Barry, and Donald Maass. This was a biggie. To sum up copious notes, story is internal and the changes that happen within your characters. Plot is actions, events and things that affect your characters. Also a side-note,  every single scene should have conflict, action, suspense, and a turning point.

Where Story Comes From led by Meg Rosoff. Basically, you are unique so your voice is unique. It was about tapping into the conscious and unconscious mind, to get to those memories, fears, and feelings that are real. If you can convey those feelings, your voice will be unique and you’ll connect with the reader.

Donald Maass’s class on How Good Manuscripts Go Wrong. So many notes! He talked about how to make your characters deeper and more interesting by giving them flaws and obstacles to overcome. Does your MC (main character) do something that no one else can do? Does your MC know something that no one else knows?  And don’t forget to add tension to every scene. Most books don’t have enough tension.

The last day was an all-day long workshop about 21st Century Fiction. It seems that genres are starting to cross over and readers are expecting it. Plot driven books have deeper characters and literary books have more suspense and action. His method was to ask questions which make you think about your characters and the events. Many people, myself included, had “aha!” moments which made us look at things differently. So insightful.

That’s it in a nutshell. I’m including a video of me singing the Un-Con song. It’s embarrassing and the quality isn’t great, but it was fun.


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