The world has been a crazy place since the emergence of Covid-19. Although it’s still out there, I’ve begun to venture forth into the world and attend author events. It feels wonderful to get back into the world of books and speaking with other writers! I think the last event I went to was the Bullet Books event in February of 2020 at the Bosslight Bookstore in Nacogdoches. (Fellow AMW writers Kathy Waller, Helen Currie Foster, and Laura Oles are also Bullet Books authors.)
My first foray back into the public realm was a Noir At The Bar event in Dallas back in June. Of course, it was outside and still blazing hot even though it started at 7. But I had such a great time listening to the other authors that it was worth it! Not a dud in the bunch. We laughed at some stories and were creeped out by others. I read a short piece that I wrote a few years ago, Tutusuana. (“Tutusuana” is a Comanche word that’s explained in the story.) It was nice to see old friends and finally meet online friends in person. Loved the experience. I highly recommend The Wild Detectives bookstore/bar. This is a jewel in the Bishop Arts district in Dallas.
Now we travel to Book People. Yesterday, August 21, I went to my first Book People event since pre-Covid. Mark Pryor has a new book Die Around Sundown. This is the first book in a new series so of course I had to be there to cheer him on! I’m excited to read this book. It’s an historical mystery set in Nazi-occupied France. I enjoyed the book talk and, again, seeing friends in person that I haven’t seen in a while.
This Wednesday I plan to go to an author event at my local library. I haven’t met Michael Miller but since I live in a small town, I want to attend events and provide support. He’s a long-time university professor, presently at Texas State. And he is also a Presbyterian minister, serving La Iglesia Presbiteriana Mexicana for the last ten years in San Marcos. His book is The Two Deaths of Father Romero: A Novel of the Borderlands. Sounds interesting!
Then the next day I’ll be back at Book People, if the roads aren’t flooded. (We’ve been in a severe drought this summer, as much of the world has been too. I’m looking forward to the rain, but I hope it’s a slow, soaking rain and not a deluge.)
I’m pleased to announce that I’ve been selected to participate in a project, a collection of novellas that are sure to get your blood pumping! Each book is co-written with Manning Wolfe, author of the Texas Lady Lawyer series.
My story is about a substitute teacher who wants to make the world a better place. That’s not surprising, right? 😉
Here’s more information about each book. Look for The Last Straw!
I have a confession to make. I love westerns, all kinds of westerns. I like characters with a sense of independence, who live life by their own rules. I like studying that era of our history. It has everything you could want that makes a great story: evil-doers, heroes, the clash of cultures (Native American/European, city/country, poor/rich), people trying to make their lives better, people trying to hold on to their heritage. You name it.
I also like modern westerns. They still hold the same sense of character and grit as the older ones.
So it’s no great surprise that like western mysteries. I thought I’d delve into that subgenre and look for books to add to my TBR (To Be Read) shelf and take you along with me.
Craig and me eating BBQ with friends.
Those of you who know me know that I’m a fan of Craig Johnson and the Longmire series. The way he captures the essence of the west and the clash of cultures while respecting both sides is masterful. The books are full of drama, humor, and history. The characters grow deeper by each book. (As they should.) At the moment I’ve only read the first three books in the series. I have a lot of reading to do! But I’ve watched all of the TV episodes. If you haven’t seen them, check them out on Netflix. It’s one of my favorite shows. All of the actors are excellent at their jobs and they’re nice in real life. And Craig Johnson is as nice as could be too.
Manning Wolfe, me, and Billy Kring. We like Mexican food!
Most of his Hunter Kincaid series takes place in Texas and along the Mexican border since Hunter is a border patrol agent. I’ve read the first one, Quick, and let me tell you, it’s good! It’s a page-turner. I will say it’s not for the squeamish, but Billy tells me (since he’s a friend of mine) that the others aren’t quite so graphic. But it didn’t bother me since I kind of expected that, considering the topic.
I think it’s interesting that Billy’s a big cowboy (former border patrol and anti-terrorism expert) and the Kincaid books are told from a woman’s perspective. And he writes it well!
Go check out his website and book list. It’s impressive! He also writes other genres. There’s something for everyone. http://www.billykring.com
And just so you don’t think I only read books written by big burly cowboys, (Yes, I’m partial to them) I want to tell you about J.A. Jance. She has a special place in my mystery reader/writer heart. She is one of the writers who inspired me to pick up a pen and write. Her Joanna Brady series is very good. It takes place in Arizona and Joanna is a sheriff in a small border town. She’s a full and complex character that deals with all sorts of horrors and problems, big and small.
Jance also writes a Detective Beaumont series, some of which I’ve read and it’s very good too. http://www.jajance.com
Those are my favorties, but I wanted to know more. So whenever I have a question about mysteries, I turn to my friends. And the person I know who’s the most knowledgeable is Scott Montgomery, mystery coordinator at Book People in Austin. He pointed me to Tony Hillerman and Peter Bowen.
**Scott gave me an extra tidbit of info. “The first hardboiled detective novel, Hammett’s Red Harvest, is about a detective coming into a corrupt Montana mining town and playing both evil interests off one another like A Fistful Of Dollars (inspired by Yojimbo, which was inspired by Red Harvest)”
So there you go.
You can’t talk about this genre without talking about Tony Hillerman. He’s famous for his Navajo Tribal Police Series. The series starts with The Blessing Way (1970) and goes to the 18th one, The Shape Shifter (2006). The series features Joe Leaphorn and Jim Chee, Navajo police officers who solve mysteries with their knowledge of the people and knowledge of the area. The two first work together in the seventh novel in the series, Skinwalkers. (I can’t wait to read some of these!)
Hillerman was such an accomplished writer that his books have won numerous awards and he’s considered to be one New Mexico’s foremost novelists. TH is no longer alive, but his daughter, Anne, has continued his legacy. http://www.annehillerman.com
Bowen lives in Montana and is known for his Yellowstone Kelly historical novels (fictionalized stories based on a real person) and the Gabriel Du Pré mysteries are set in modern Montana. All of his books sound rich with characters and place. You can find out more at his website:http://peterbowenmt.com.
Since I’m talking about Westerns, I have to tell you about Dusty Richards. He doesn’t write mysteries but he writes darn good westerns. How did I come to discover him? My husband was a co-op engineer and Dusty serves on the board of his electric co-op. They were both attending a conference and got to talking. My husband told him about me and Dusty said, “Hold on a moment.” He went up to his room and came back with a signed copy of his book to me to wish me well in my writing endeavors.
Since then my husband has read many of his books and said they are great. (And this is coming from a guy who compares EVERY book to Louis L’Amour.)
Since then I’ve followed Dusty on social media and I see that one of his books is being made into a movie. Yay! I like it when good things happen for good people.
He also has a literary quarterly that’s always looking for western stories, modern or historical. If you’re interested in submitting, the website is:http://saddlebagdispatches.com
Well, thanks for moseying along with me on this trail. Since I’m partial to this genre, it’s no surprise that I’ve written some Western short stories (Suspense and Horror) and the novel I’m working on (Suspense) is set in West Texas. I hope to make it the first in a series, or two.
So happy trails and vio con Dios! Hasta luego!
At our Double Mountain ranch where we used to live.
Last Saturday I attended a writer’s workshop at Book People, sponsored by Mystery People and the Austin chapter of Sisters In Crime. I honestly didn’t think I’d learn much new. But I was wrong. *Note- Between classes we had drawings for giveaways like books and tote bags!
It started with George Wier speaking about writing action scenes. He’s literally a pro at this. Just read any of his books. (www.billtravismysteries.com) It wasn’t about how to describe a blow-by-blow fistfight. It was more about how to add tension to a scene, how to make it move along. I don’t know about you, but I like bullet points. So I’ll share my notes in that manner.
Before you can add action, you must put the reader in the moment. They won’t follow anything if they aren’t there. To accomplish this, describe the lay of the land and the surroundings.
What are the results of the action? There should be consequences or the reader won’t care.
The scene must have a beginning, middle, and end.
Don’t describe things in terms of time. (aka- three hours later). Believe it or not, that doesn’t do anything for the reader. Time isn’t as tangible as distance. “They walked down a flight of stairs.” Is much easier for the reader to see and instantly understand.
Perception is everything. Use all the senses. Have your characters be aware of their breathing, their surroundings, sounds, pain, everything.
The idea of writing about distance instead of time interests me. All of the things listed above make sense, but the idea that the reader can intuitively understand distance better than the concept of time is fascinating.
Scott Montgomery of Book People recommended the book, The Killer Inside Me by Jim Thompson. He said it was a good example of what Wier was talking about.
Cutting up between classes. Friend and author Billy Kring dropped by. He’s trying to distract me while George Wier looks on.
The guys behaving for Terry’s talk.
Next at the workshop was Terry Shames. She gave us many tips on how to writing compelling settings. And she should know. She does an excellent job of describing the Texas town where her Samuel Craddock series takes place. (www.terryshames.com) I came away with the concept of interior settings and exterior settings. No, not what a living room looks like, interior as in what’s going on inside a character. (More bullet points!)
Treat your scenes as characters.
The way to make your story interesting is to show how the interior setting (of characters) intersect with the exterior setting. How would someone from a Texas ranch interact with the people and setting of New York city? How would that same person act in their own hometown?
The devil is in the details. Immerse the reader in the setting. You don’t have to do an information dump. (Please don’t.) But you can provide things like smells and sounds.
If you aren’t familiar with a place, research it. Talk to people who know the place.
Above all, know how your characters would interact with the setting. Someone who almost drowned would have a different reaction to falling in the water than someone who is an Olympic swimmer. So Know Your Characters!
Every scene should try to have-
Physical description of setting
Physical description of characters
Internal physical descriptions.
A good rhythm of a scene would be: 2/1/2, 4/3/5, 6/2/1. Try it and see what happens.
Brent and James. Looking forward to reading their books.
After lunch we gathered for the last class about collaboration. Brent Douglass and James Dennis, two of the three authors who make up the persona of Miles Arecenaux (www.milesarceneaux.com), led a funny discussion on their journey of collaborative writing. They started their first book back in the days before email. Thank goodness the days of mailing a manuscript back and forth are gone. Thank you email! So what are their tips?
Don’t be afraid to be honest with each other. Actually, they said to be brutally honest. Treat each other like siblings.
Play up to your partners’ strengths. You are different people with different experiences. You that to your advantage.
Work to maintain “one voice” for your book. It will get easier with practice but it will also take many edits to achieve this.
Defer to people with experience. (Again, take advantage of your partner’s strengths.)
It helps to build accountability. If you know that you’re expected to get your part done by a certain time and the others are counting on you, you better do it.
Broadcast gratitude. Not only show gratitude to your partners, show gratitude to other writers.
(Collaborating sounds interesting. I think I’d like to take a stab at that just for fun.)
The last event was a panel discussion that was very informal. It was about publishing, marketing, and networking. Honestly, I was so caught up in listening, I forgot to take notes! All the speakers were charming, personable, and informative. It was worth every moment that I was there.
Gale Albright helped put it all together and did the raffle.
George answering questions between classes.
Terry and Scott
I’d like to say thank you to Book People and Scott Montgomery of Mystery People for hosting us!
George Wier was nice enough to agree to an interview. Thank you, George!
He’s a personal friend of mine so he knew I’d give him grief if he didn’t. 😉
I know that you’re not originally from Austin. How did you get here?
I moved to Austin in 2002 from College Station. One day I took a look at the world around me and realized that most of my friends and all of my family had moved away. Also, after thirty years of living in Bryan-College Station, I knew everyone and everything that I wanted to know. In a word, I was bored. I called an old friend who lived in Austin and told him about my dilemma, and without even the hint of hesitation, he offered a spare room in his apartment and told me to load up my meager possessions and come on. I left the next day. This was about September or October, not far from my 37th birthday. I was essentially–and with malice aforethought–wiping out an old existence and beginning a new one. I was time to do that. It was one of the best decisions I ever made. Apart from rooting for the old home team (the Aggies) I took to Austin like a duck to water. I’m home now.
Have you always been a writer? Was there a book that inspired you to write?
Yes, I have always been a writer, ever since I could read. My first inspiration was comic books and film. My first actual attempt at a complete narrative was essentially a skit that was somehow a cross between a story and a script, and was actually inspired by Monty Python. I couldn’t do humor well, though, and sight gags were not my thing. The earliest, clearest influences on my writing came from science fiction, particularly Frank Herbert’s Dune books. I loved those. There is one story idea from those early days that I will attempt sometime in the near future. It’s about an outpost at the fringe of human expansion into the universe, and will be sort of a cross between Castaway and the Star Trek universe. We’ll see, though, if I ever get that done. My hopper is pretty much loaded up at the moment.
Along about 1976 or ’77, I was given a collection of Doc Savage paperbacks by my best friend’s sister. Her name was Peggy Dale Taylor. The Doc Savage books she gave me were the 1960s and ’70s Bantam paperback reprints of the old Street and Smith Doc Savage series written under the pen name of Kenneth Robeson, but mostly actually penned by Lester Dent, who though originally from Missouri, was a member of the Explorer’s Club in New York. Dent wrote about a quasi-private investigator, quasi-superhero named Clark Savage, Jr., and his five aides, who traveled the world righting wrongs and punishing evildoers. They sparked the imagination of this young teenager and would later very largely influence my Bill Travis Mystery series. The difference, however, between Doc Savage and Bill Travis is that Bill is based in Texas and rarely crosses the state line, he doesn’t have a lot of gadgets to help him out, and his small collection of friends are more from the “friends in low places” crowd, and less from the “cream of the crop”. I’ve written ten Bill Travis books, and there are at least eleven more to go before I round out the series, including three prequels. And by the time I’m at the end of that long runway, I should–hope springs eternal–know how to write.
Tell us about the different genres you write. Does the genre influence how you approach or plot your book?
Mostly, I write MY genre. I’m not sure what that is. For instance, the Bill Travis books, though billed as mystery, occasionally cross over the line into the fantastic, or you might call it Science Fiction. The first book, The Last Call, is straight action-adventure. The second book, Capitol Offense, while it has elements of action-adventure, is at least half mystery with some elements of political intrigue. The third book, Longnecks and Twisted Hearts, quite definitely crosses the line into science fiction, yet remains mostly a murder mystery. Books four and five, The Devil to Pay and Death On the Pedernales, are both pretty much straight mysteries. Book Six, Slow Falling, has so much science fiction that it should probably be classified as such, yet it’s my favorite of all of them. And so on through the series. By the time we get to book ten, Ghost of the Karankawa, Bill Travis meets Bigfoot. So, there you go.
Genre doesn’t so much influence me. The story does, however. It’s going to ultimately be whatever it is. I don’t write from outline, or at least in those few instances when I have and “knew” what was coming in later chapters, the outline might be a simple sentence of what was to happen in that chapter. About the only time I do that however, is either when I’m skipping around in the book and writing it in a non-linear fashion or when I’m collaborating and my co-author needs to fill in what I skipped over. In the latter instance, it’s at least courteous for me to provide some clues as to what, in general, I think should happen here and there in the story. I guess that’s about it on that.
As a side-note, I don’t like to read a lot of books in the genre in which I’m going to be doing any extensive writing (i.e., mysteries) because I don’t like to be unduly influenced by other writers. People tell me that my writing style is similar to John D. McDonald. I must confess, I’ve never read a John D. McDonald book. I hear that they’re wonderful, and at the top of the mystery genre, so I always take that as a high compliment and accept it as gracefully as I can. But, I’ll only read a mystery if it’s written by a friend and this friend needs an endorsement or a general leg up. That’s about it.
What is the secret to your success?
Writing is like anything else. Most of the battle is won by showing up. You have to sit down and write. You have to write a lot. You have to produce, bang out copy, write like there’s no tomorrow (there really isn’t, after all, there is only today!), plan and scheme and push the envelope. However, I think what you’re asking me is for some formula. Okay, I’ll give it to you. Here are my “secrets” to success (it’s interesting to me that there are no real secrets. The nature of the universe is that we all think that there’s some great secret hidden back of the curtain of reality, and that if we could only somehow penetrate that curtain, why, we’d HAVE IT and we’d simply do that magical little formula and the world would lie at our feet. The secret of the universe is nothing. This is also the definition of a mystery. A mystery is: the answer was not given. That’s all a mystery is. The mystery of the universe is a big fat zero. We don’t do well, as a species, with zero. Nothing is difficult to confront. If you don’t believe me, try walking through an unfamiliar house full of furniture in the pitch blackness. You move slowly, at best, because you’re pretty sure you’re going to hit something hard and kill your shins, or fall down and break your neck. So, in our minds, that darkness, that big zero, is really “something”. (Let me tell you, it’s not!):
I have, this lifetime, sifted through quite a bit of data on success. I’ve narrowed my findings to ten basic points:
1. Work toward your goal every single day.
2. Do not let the sun set without accomplishing something towards it.
3. Hold on to any wins you achieve along the way and disregard the losses.
4.Don’t allow anyone to evaluate or invalidate your goals, your dreams, and particularly your abilities.
5. Thinking about a thing is not the same as doing a thing. Success is only ever accomplished through action. The dream, however, must give your actions purpose and life.
6. Treat your goals as if they are living beings, and grant them life.
7. All other rules apply with regard to your goals, particularly the Golden Rule.
8. Study, learn and become the top person on the planet in your field. Knowing WHY is of immense value. Knowing HOW will guarantee prosperity. Knowing both HOW and WHY is everything.
9. If you get mad at someone or something that stands in your way, you have granted them or it immense power. Become unflappable. In any situation you are the expert. You are the source. Unquestionably. Success is hidden in the minutiae. It’s the small things that, brought together, create the whole.
10. Fortune and fame are illusions, and at best are fleeting. Don’t seek these. Instead, seek happiness. You will ultimately find that it resides within you.
I’ve found that most writers have other talents. What are your other talents?
Well, that’s a loaded question. I like to think I’m adept at everything I do, and typically overinflate my abilities, at the very least to myself. However, I like to draw (with a mechanical pencil), I paint, I play violin and I play country fiddle, and I do other things I’m not supposed to do.
Some of George’s pictures
West Texas Fall Secret Meadow
Do you have any advice particularly for mystery writers?
The main piece of advice, I suppose, is what I said above about not reading too much in that genre. But really, you might like to read mysteries and want to write them as well. Really, it’s a personal preference on my part not to do so. I also write a little science fiction, for instance, and I am so well-read in that genre, and will continue to be so, that it’s impractical for me to even think about not reading science fiction. So, whatever your write, whether it’s mystery or romance or whatever, you should write what my friend Joe Lansdale calls “your own genre”. Your writing is YOUR genre. Write what you want to write, and how you want to write it. And, write what you, yourself, would most want to read. That’s the simple one. Do that, and you’ve got it made.
Tell us something cool about Austin that we probably don’t know.
The one thing I like about Austin is that it’s full of secrets. There are so many little-known, out-of-the-way and off-the-beaten-path little hidey-hole restaurants, coffee bars, music venues, acting and dancing troupes, and etc. I love finding those. It’s my goal to find all of them! Sallie and I venture forth at least once weekly looking for that offbeat place that we’ve never heard of before. And I have the knack for smelling them out.
How can we find more information about you and your books?
The best place is my website, www.georgewier.com (which takes you directly to the www.billtravismysteries.comsite). Both of these sites have now been combined into one. Also, I have a wordpress blog at http://georgewier.wordpress.com. Other than that, you can follow me on Twitter at @BillTravisWrite and on Facebook at George Wier-Author. Also, I encourage everyone to communicate directly with me. I usually answer my own emails, and I typically do this quickly. So, please communicate with me. I know that people get punished in this world for the two great crimes: being there and communicating. But, that’s the only way to ever get anywhere. So, yes, get in touch with me and ask if you can’t find the answer. Or just email me to say “Hey!” I’ll say “hey” back at you.
What are you working on now?
Hmm. The question should be “what are you NOT working on now?” I’m working on Bill Travis #11, Desperate Crimes. Also, I’m right at the end of yet another mystery standalone entitled Errant Knight. It’ll be forthcoming in a few weeks as an ebook and a trade paperback. I will have another book coming out from Cinco Puntos Press in January of 2016 entitled Murder In Elysium. Also, I’m collaborating at the moment with Billy Kring (another fantastic mystery author) on the steampunk series The Far Journey Chronicles. Billy and I have completed and published 1889: Journey to the Moon, and have finished and are in the process of editing 1899: Journey to Mars. We have also begun 1904: Journey Into Time. There will be a minimum of four books in that series, with the last one planned: 1909: Journey to Atlantis. Aside from that, I’ve got a few other projects going that I pay attention to, catch as catch can. But I have far more than that planned, including a collaborative series with science fiction great (and friend), T.R. Harris, of San Diego, California. I guess that’s it.
Thanks for the interview. You’ve given me a lot to think about and now I’m pumped up! I can’t wait to get back to my writing!